Tejshvi Jain

Tejshvi Jain is the Founder-Director of ReReeti foundation. Over the last 15 years she has led international projects, spearheaded crowd fundraising campaigns, curated shows, taught at colleges and published articles in several media. She is the recipient of the prestigious Nehru, ATSA, and IFA fellowships. One can find her writings on art and museums in national art magazines like Take on Art, Marg and International books like New Museums Practice in Asia,2016 and Commonwealth Association for Museum Publication 2018.

Bhanu Ghalot

Bhanu Ghalot is the project lead for an upcoming immersive digital exhibition that Rereeti is developing, in partnership with British Council and Glasgow Museums. She was awarded the Chevening scholarship in 2019 to undertake a Masters’s degree at the School of Museum Studies, University of Leicester. Prior to that, she spent four years researching and documenting India’s contribution in World War One. Her research and cultural practice is rooted in the study of difficult histories of South Asia. She has been working towards raising awareness of such histories and understanding how and where they are commemorated, and what is the public space they occupy. Her practice also includes discourses on postcolonial Museums, cultural policies, cultural appropriation, material culture and cultural exchange in a digital world.

Shalaka Redkar

Shalaka Redkar is a Hindustani music vocalist and a performing artist. She stepped into the arts and cultural sector in 2016 curious about the coming together of disciplines, languages, mediums, and communities. Last year, she joined ReReeti as the Programmes & Operations Manager to grow in and contribute to the museum and heritage sector.

Shalaka loves watching and observing birds in her free time, is a Bharatanatyam dancer, and enjoys Urdu and Hindustani poetry. She believes that art cannot be manufactured in silos, and so she continues to happily balance her performing career in the arts, and her vision in arts management at the same time.